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As my son went to bend back down, that monster black cock came sliding through the gloryhole, and my son stood back up with a look of wow oh his face. I wanted that cock fucking me so bad, I whispered to my son but loud enough for the guy to hear me, “wow he does have a nice big one”, and under the divider I seen the guy stand up then turning towards our stall. Well I had to look, so I leaned forward to look, and it was a black guy with a fucking monster BBC which he was sitting there stroking. He then looks at me saying that the guy in the next stall has a real big pee-pee. I pull down my pants, set on the toilet, after I set down my 5yo son bends over, and looks through the gloryhole at the guy in the next stall. My son follows me into the restroom, he followed me into the last stall which was a handicap stall, and as I walk in I see a gloryhole in the wall. We stopped at a rest area late at night because I wanted to see if maybe I could sneak in the restroom to get a quick BJ without my son waking up. My son and I was coming back from picking him up from his grandparents a few states away. Throw in Hugh Grant as a smarmy love-rat, Colin Firth as a bumbling gentleman and a script co-written by Richard Curtis, and you’ve got romcom royalty.I’m a married bi vers (bottom with cocks larger than me and top with smaller cocks), in my 40s, and white guy who grew up in Detroit so I’m mostly was a bottom that’s been fucked by more than one BBC. Zellweger’s performance – British accent and all – is just highly believable her Bridget is one of us (although how an assistant at a publishing house can afford to live alone in a one-bedroom flat in London Bridge requires a little suspension of disbelief). That being said, it remains a charming and deeply relatable film, thanks mostly to double-Oscar-winner Renée Zellweger, who injects a lovable charm into her portrayal of the almost perennially unlucky-in-love Bridget.
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‘Bridget Jones, wanton sex goddess, with a very bad man between her thighs…’īased on Helen Fielding’s newspaper-column-turned-bestselling-book about a loveable but perpetually single thirtysomething living in London, Bridget Jones’s Diary is very much a product of its time (hopefully today, we wouldn’t dare consider Bridget overweight or the fact that she’s single in her thirties a problem).
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? The 100 best romantic films of all-time Written by Dave Calhoun, Cath Clarke, Tom Huddleston, Kate Lloyd, Andy Kryza, Phil de Semlyen, Alim Kheraj & Matthew Singer Love contains multitudes, and so do romantic comedies, and we considered it all when putting together this list of the best romcoms of all time. Others are light and airy, or borderline fantastical. Others are dark and cynical, because, well, love often sucks. Some are sophisticated, drilling deep into the complexities of interpersonal relationships. Who hasn’t been in love, in one form or another? And honestly, what’s funnier than the things humans do while under love’s spell?īut the best romantic comedies don’t have to be straight-ahead farces to qualify – although, to be fair, many of them are. Frequently derided and dismissed as ‘chick flicks’, romcoms are, in truth, more broadly relatable than any other category of film.
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No movie genre is more misunderstood than romantic comedy.